Current Exhibition

Blue Ribbon Dog Show at gallery onetwentyeight

May 21 - 30, 2026

Clockwise from left - **Dolly, 2026, inkjet on paper mounted on foamcore, 36 x 24 inches, A.P., Venus Aphrodite (Mini Dots), 2026, inkjet on standard white copy paper, 11 x 8.5 inches, A.P.**, **Venus Aphrodite, 2026, inkjet on paper mounted on foamcore, 36 x 24 inches, Alexander the Great (Mirror Image with BIG DOTS), 2026, Cougar Digital Cover 14pt matte paper, 11 x 8.5 inches, A.P.**

Left Venus Aphrodite (Pastel Dots), 2026, inkjet on standard white copy paper, 11 x 8.5 inches, A.P.

Right Venus Aphrodite (Green Mask/Blue Hair/Dots), 2026, Cougar Digital Cover 14pt matte paper, 11 x 8.5 inches, A.P.

Previous Exhibitions

Fridge Art Fair NYC 2026 - May 13-17, 2026 at the Hotel Alameda High Line - 518 W 27th Street Chelsea NYC 10001

For more information please contact me by email at kaitlinjmartin@gmail.com

Follow me on instagram @kaitlinjmartin

I will be exhibiting new work at Fridge Art Fair from May 13–17, 2026, presenting a continuation of my exploration into mythology, identity, and digital space. Gawdesses continues my investigation into social media filters, fusing female and male archetypes to create androgynous goddesses, where identity becomes fluid.

These works move between the mythological and the technological, questioning how we navigate both identity and place in an increasingly media saturated, image-driven world.

Venus Aphrodite, 2026, inkjet on paper mounted on foamcore, 36 x 24 inches

Dolly, 2026, inkjet on paper mounted on foamcore, 36 x 24 inches

Dolly with Pink Hair, 2026
Poster Design: Chris Cobb

3 Dollys, 2026, inkjet on copy paper, 33 x 8.5 inches

Recently on View at Fridge Art Fair Miami Beach 2025

Kaitlin Martin recently exhibited at Fridge Art Fair Miami Beach this past December during Miami Art Week. The presentation featured a mix of installation and works on paper, including Artemis Terrazzo (2025), Domitian Terrazzo 1 & 2 (Triptych) (2025), and selections from her Artemis Cropped series. Additional works on view included Goddess with Rainbows (2025), an inkjet print layered with ink markers and paint pens, and Fat David (Blue) Terrazzo (2021–2023), a collage combining inkjet print, acrylic, and paint pens on copy paper. Across these works, Martin continues to explore classical imagery through accessible materials and contemporary processes, blurring the line between the monumental and the everyday.